超現(xiàn)實主義的“反常合道”

The " paradoxical harmony " of surrealism

在超現(xiàn)實主義繪畫中，畫家們開始探索自己非理性的一面，以找到新的創(chuàng)作自由。裝修設計雖然超現(xiàn)實主義繪畫作品情景奇異怪誕，與現(xiàn)實格格不入，體現(xiàn)了“反?！钡奶卣?，卻具有超越時間和空間的永恒感，給人以靈驗、虛無的感覺，隱喻著人和宇宙破裂卻又相互聯(lián)系的矛盾，充分體現(xiàn)了“反常合道”的藝術魅力。

In surrealist paintings, artists began to explore their irrational side in order to find new creative freedom. Although the scenes of surrealist paintings are strange and bizarre, which are incompatible with the reality and embody the characteristics of "abnormality", they have a sense of eternity beyond time and space, giving people a sense of efficacies and nihility. They are metaphors for the contradiction between people and the universe which is broken but interrelated, and fully embody the artistic charm of "paradoxical harmony".

“反常合道”本是中國古典美學概念，“反?！笔侵副砻嫔蠈ΜF(xiàn)實的扭曲，卻能形成藝術中的奇趣，造成藝術中的新奇效果。但“反?！北仨殹昂系馈?，也就是說：雖出意表之外，卻在情理之中，即“反生活常理而合乎藝術之道”。

"Paradoxical harmony" is a Chinese classical aesthetic concept. "Paradoxical" refers to the distortion of reality on the surface, but it can form the strangeness in art and create the novel effect in art. "Abnormal" but still "congenial", that is to say: although out of the meaning, but in the common sense, that is, "contrary to the common sense of life but in line with the way of art.

超現(xiàn)實主義最具代表性的三位藝術家：米羅、達利與瑪格利特

The three most representative artists of surrealism are Miro, Dali and Margaret

在室內(nèi)設計中，軟裝也在踐行這種“反常合道”的矛盾卻又和諧的美學邏輯：

In interior design, soft decoration is also practicing the contradictory yet harmonious aesthetic logic of "paradoxical harmony" :

在保證一貫的現(xiàn)代風格的基礎上，裝修設計增強了主要家具的造型感和戲劇感，例如客廳的單人沙發(fā)、客餐廳的燈具等，具有強烈的科技感；

On the foundation that assures consistent and contemporary style, enhanced the modelling feeling of main furniture and dramatic feeling, the lamps and lanterns of the individual sofa of the sitting room, guest dining-room for example, have strong sense of science and technology;

在大色調(diào)上面，運用了黑白灰為基礎色，利用紅色和藍色兩個撞色來強化視覺沖擊，裝修設計同時大量運用了熒光色的透明亞克力、突出光影效果的玻璃、干凈利落的亮金屬等材質(zhì)細節(jié)，把“超現(xiàn)實主義”中的前衛(wèi)感做到極致；

Black, white and grey are used as the base color, and red and blue are used to enhance the visual impact. Meanwhile, the transparent acrylic of fluorescent color, the glass that highlights the light and shadow effect, the clean and agile bright metal and other material details are used to make the avant-garde sense in the "surrealism" the ultimate.

在藝術品運用上，WED中熙設計始終堅持“有靈魂的設計應該配合真正的藝術品”的理念，裝修設計在項目中與多位才華橫溢的藝術家合作，以呈現(xiàn)業(yè)主的藝術造詣和熱愛。

In terms of the application of artworks, WEDesign always adheres to the concept of "soulful design should cooperate with real artworks", and has cooperated with many talented artists in the project to present the artistic attainment and passion of the owner.

致敬藝術家：米羅、達利與馬格里特

Tribute to artists: Miro, Dali and Magritte

超現(xiàn)實主義繪畫有三位十分重要又影響深遠的藝術家：馬格里特（Magritte Rene）、薩爾瓦多·達利（Salvador Dali）和米羅（Joan Miro），WED中熙設計在項目創(chuàng)作的過程中，深受這幾位藝術家的作品啟發(fā)，并從中提取元素，在室內(nèi)軟裝向幾位藝術致敬。

Magritte Rene, Salvador Dali and Joan Miro are three important and far-reaching surrealist artists. In the process of project creation, WEDesign got inspired by these artists, and extracted art elements to use in the soft decoration.

米羅（Joan Miro，1893—1983），西班牙著名的畫家和雕塑家。他的創(chuàng)作表現(xiàn)方式是有意地打亂知覺的正常秩序，在直覺式的引導下用一種近似于抽象的語言來表現(xiàn)心靈的即興感應。因此在它的作品中會有象征的符號和簡化的形象，使作品帶有一種自由的抽象感，也有兒童般的天真氣息，是被人們認為“把兒童藝術、原始藝術、民間藝術揉為一體的藝術大師”。

Joan Miro (1893—1983), is a famous painter and sculptor of Spain. His way of expression is to deliberately disrupt the normal order of perception and to express the impromptu induction of the mind in a language close to abstract under the guidance of intuition. Therefore, there are symbolic symbols and simplified images in his works, which make his works have a sense of free abstraction and childlike innocence. He is regarded as "an artist who integrates children's art, primitive art and folk art".

以米羅的代表作《哈樂群的狂歡節(jié)》為靈感和配色指導，裝修設計師完成了客餐廳的軟裝設計：塊面的表達、不同的幾何形體、豐富的材質(zhì)組合、比例奇異的器皿，好似這幅畫面中的一個個物品，看似毫不相關卻有出奇和諧；

With Miro's representative work " Harlequin's Carnival " for inspiration and color guidance, the designer completed the soft decoration design of guest restaurant: block surface expression, different geometric forms, rich material combination, strange proportions of utensils, like a piece of this picture, seemingly unrelated but surprisingly harmonious;