此外，入口的設(shè)計(jì)緊抓美術(shù)館的客群調(diào)性，美術(shù)館設(shè)計(jì)探索出一個(gè)與“時(shí)空”、“藝術(shù)”有關(guān)的幾何空間。設(shè)計(jì)師以“隧道”為概念，用極其有張力的材料、形態(tài)組合裂變，為空間的縱深感塑造層次，聚焦人們的視覺(jué)落點(diǎn)，也連接著室內(nèi)與室外、過(guò)去與未來(lái)、中國(guó)與世界。

In addition, the design of the entrance firmly grasps the audience tone of the art gallery and explores ageometric space related to "space-time" and "art". Based on the concept of "tunnel", the designer usesextremely tense materials and forms through combination and fission to shape the depth of the spaceand focus on people's visual points. At the same time, it also connects indoor and outdoor, past and future, China and the world.

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