回藝術中心設計

項目名稱：回藝術中心設計

設計機構：AD ARCHITECTURE∣艾克建筑設計

總設計師：謝培河

設計團隊：艾克建筑

項目地點：廣東汕頭

占地面積：4000㎡

建筑面積：1600㎡

主要材料：外墻漆、花崗巖、地毯、瓷磚

設計時間：2021年8月

竣工時間：2022年12月

項目攝影：張超建筑攝影工作室、飛行映畫

回藝術中心：潮汕村落里的藝術涅槃

Future Artspace H by AD ARCHITECTURE

回藝術中心由未來愿景創(chuàng)辦，是汕頭最新設立的商業(yè)藝術機構與管理咨詢團隊。藝術中心坐落于十一合藝術村的主要干道上，曾經(jīng)沉寂的村落，人們出海下田，靠天吃飯，隨著生活水平不斷提高，村民們陸續(xù)搬出舊屋，在新分配的土地上建起幾層樓高的方塊狀樓房，這是一個時代變遷的印記，舊屋與新房穿插構成，藝術中心設計的出現(xiàn)為藝術村的形象增添了藝術色彩。

Future Artspace H is established by Future Vision, a Shantou-based emerging institution dedicated to commercial art and management consulting.

Future Artspace H is located on the main road of Shiyihe Village. With the improvement of living standards, residents in the village, who used to make a living by farming and fishing, have moved out of their old houses and have built multi-story square-shaped new residences on designated plots. The new and old buildings interweave in the village, reflecting the traces of evolution. The construction of the project would inject an artistic vibe into the village in the context of rural renewal.

設計的邊界

Design boundary

在藝術中心設計中，我們試圖探討項目本身的邊界，在建筑之外，設計的邊界將從城市與社會去發(fā)聲，是一種自我審視的姿態(tài)。跳出建筑的傳統(tǒng)定義，從城市和社會的角度去思考，融入終端消費市場、走進大眾生活的藝術化空間和內(nèi)容，承載設計應有的價值和溫度。

In this project, AD ARCHITECTURE pondered the boundary of the project beyond architecture, trying to speak for the city and society through design.

Breaking away from the conventional connotation of architecture, the design team approached the project from the perspectives of the city and society, intending to create an art space that integrates into both the market and the public life, to convey the value and warmth of design.

村落的建設一直是在沒有規(guī)范的規(guī)范中發(fā)展，藝術中心設計師謝培河從小在新溪鎮(zhèn)長大，見證了這種村落在不和諧中發(fā)展成一種畸形的和諧，在傳統(tǒng)的潮汕民居中一棟棟獨立的盒子正在不斷的吞噬傳統(tǒng)的居住美學，形成一種變異的秩序。作為一個設計師我想我有這個義務去為這種變異做點什么，也想重新來激活和定義這些奄奄一息的土地，這個過程的變化是設計的意義。

For a long time, rural construction in many villages has evolved in the absence of planning. The chief designer Xie Peihe, growing up in Xinxi Town where the project is located, witnessed the disharmonious evolution of the built environment of local villages, and has noticed that box-like new constructions built amidst traditional houses are erasing traditional architectural aesthetics. As a professional designer, Peihe felt the responsibility to do something to activate and redefine the lifeless rural neighborhoods.

建立新的秩序與商業(yè)目的，重構新社區(qū)的架構。

This project is intended to create new order, introduce commercial art, and help shape a new community.

未見留白

Infinite possibilities

在空間藝術中心設計中，留白是一種形式，一種無為，一種利他，一種精神。在這里設計師所說的留白是一種看不見的留白，是一種商業(yè)手段與商業(yè)計劃，設計師希望突破功能的束縛。底層邏輯是一種婚禮宴會功能，基于婚禮對時間的嚴謹性，場地必定會出現(xiàn)許多空窗期，對功能的留白可以產(chǎn)生更多的定義，這是一個多元的藝術場景，商業(yè)與藝術的復合體。

With a simplistic design approach, AD ARCHITECTURE created “empty” spaces, in order to offer more functional possibilities to support commercial operations of the venue. Starting from an assumed basic function for weddings and banquets, the design team endowed the place with undefined possibilities, to allow for more effective use of space and enrich its operations. In this project, AD ARCHITECTURE created diversified art scenes, and produced a hybrid of commerce and art.