在空間動(dòng)線規(guī)劃中，我們通過(guò)不同板塊的內(nèi)容與呈現(xiàn)效果實(shí)現(xiàn)切分。其中不乏各類藝術(shù)家的展品陳列其中，人們可沉浸式查閱與游覽。當(dāng)進(jìn)一步深入內(nèi)里時(shí)，便可在一處相對(duì)獨(dú)立的空間中，看見(jiàn)過(guò)往數(shù)期da雜志正通過(guò)傳統(tǒng)報(bào)架的陳列方式逐一展示，在慣常的閱讀體驗(yàn)之外，我們?cè)谝延械膱?bào)架結(jié)構(gòu)中加入了小型材料板裝置，上海展覽設(shè)計(jì)通過(guò)不同展板質(zhì)感的切面呈現(xiàn)，賦予相對(duì)靜態(tài)的內(nèi)容更多層次體驗(yàn)。期刊分明、易于讀取。

In the spatial circulation planning, we have divided the space into different sections with various content and presentation styles. Among them are displays of artworks and exhibitions from different artists, offering an immersive experience for visitors to browse and explore. When they further step into the space, they will come across a relatively independent area where previous issues of the Design Anthology magazine are displayed on traditional magazine racks. In addition to the conventional reading experience, we have incorporated small material board installations into the magazine rack, creating a more multi-dimensional experience through the presentation of different textures and facets of the display. Clearly organized and easily accessible.

來(lái)往的人們可在此匯聚、交流。上海展覽設(shè)計(jì)讓空間通過(guò)不同生態(tài)組合，成為一個(gè)集合藝術(shù)與設(shè)計(jì)的異托邦。

Through various ecological combinations of art and design, a utopian is created where people can gather and communicate.

和紙材質(zhì)一以貫之，成為切割空間內(nèi)里，連通不同內(nèi)容模塊的Keywords。

Washi paper, used consistently throughout the space to connect different modules and contents, has become the keywords in space cutting.