豐盈多變的材質(zhì)肌理，藝術(shù)個(gè)性的家居裝飾，充滿浪漫氣息的雙拱門設(shè)計(jì)，空間的韻律變化隨著探索的深入不斷變化。藝術(shù)？自然？人文？浪漫？展示空間設(shè)計(jì)無(wú)從捕捉，卻又無(wú)處不在。

Rich and varied material texture, artistic personality of the home decoration, full of romantic double arch design, the rhythm of the space changes with the depth of exploration. Art? Naturally? The humanities? Romantic? Impossible to capture, yet everywhere.

黃昏時(shí)，柔和的風(fēng)和光從百葉窗流入室內(nèi)，通過(guò)折射的日光讓時(shí)間和空間都變的更加感性，微光散落墻垣，浮動(dòng)于斑駁陸離的樹(shù)影之間。此刻，是與自然的共頻時(shí)間。

At dusk, the soft wind and light flow into the room through the shutters, and the refracted daylight makes time and space more sensitive. The faint light scatters the walls and floats between the dwindling shadows of the trees. This moment is co-frequency time with nature.

遺世于鬧市，精神的曠野

Left in the downtown, spiritual wilderness

主廳和副廳通過(guò)壁爐串聯(lián)，視線實(shí)現(xiàn)了聯(lián)動(dòng)，空間是自由的，而這里傳遞的信息也是不被定義的，通過(guò)不同人、事、物的參與和時(shí)間的流逝，產(chǎn)生更多元的生活方式和藝術(shù)審美。

The main hall and the auxiliary hall are connected through the fireplace, and the line of sight is connected. The space is free, and the information conveyed here is not defined. Through the participation of different people, things and things and the passage of time, more diversified lifestyles and artistic aesthetics are generated.

《無(wú)題》

57×76cm

漢斯哈同

打破藝術(shù)與居所的邊界，這里猶如一個(gè)充滿生活氣息的家居藝術(shù)展廳。BAXTER的粉色和黑色大理石茶幾碰撞出沖突卻藝術(shù)的魅力；KARTELL的白色亮面單椅極具個(gè)性，在以深色系為主的空間中它成為了跳脫于空間外的角色；穩(wěn)重而柔軟的OLIVER GUSTAV單人沙發(fā)，展示空間設(shè)計(jì)讓人暢想出溫暖的場(chǎng)景——家人可親，圍爐夜讀。

Breaking the boundary between art and residence, it is like a home art exhibition hall full of life. BAXTER's pink and black marble coffee tables have a clashing yet artistic charm; KARTELL's single chair with white bright face has a great personality. In the space dominated by dark colors, it becomes a role outside the space; Steady and soft OLIVER GUSTAV single sofa, let people imagine a warm scene - family friendly, around the fire night reading.